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Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

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The making of Peter Jackson's adaptation of Tolkien's classic work.

A multiple murder investigation in a small hunting town focuses on one suspect, Wendy Sinclair, who operates a battered women's shelter where each of the victims' wives have sought shelter.

The story follows a slew of museum art robberies that occurred in Europe, in which Chinese antiquities were stolen, chiefly those that came from the country’s old Summer Palace which was raided in 1860 by French soldiers. No one knows who the thieves are, but the works of art continually wind up back in China. Essentially, there’s a new generation of wealthy Chinese people who are collecting artifacts from the old Summer Palace. Is China’s government behind the art theft wave? The feature questions who gets to own art, and who gets to own history and culture.

A five-part documentary with interviews from the director, cast and crew, and some behind-scenes footage.